The New Wave was partly driven by producers who saw hand-held cameras and cheaper lighting as ways to save money. Breathless was a collaboration between a producer and director who were both dangerously close to bankruptcy. Robert Dorfmann literally gambled the salaries of crew members to try to win enough to cover his overdrafts on The Sucker. Raoul Levy threatened to tear up his contract with Columbia unless the studio distributed And God Created Woman in the US—a film that turned Brigitte Bardot into a household name.